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Dies Last
is the latest of Studs Terkel’s books
on modern social history, following such gems as Hard Times,
The ‘Good War,’ and, most recently, Will The Circle Be
Unbroken? All these oral histories have been honed
rigorously into compulsive readability from extensive
interviews with a wide gamut of people, formerly folks who
often appeared on his Chicago radio program and, after
retirement, from free-ranging interviews, resulting here in
a brave and honorable exposure of the dark side of social
life. In his “memory books,” as he dubs them, Terkel offers
a vivid ‘sample’ of citizens, from a rebel priest who
discover that viciously exploited Mayan Indians need social
ameliorative mechanisms more urgently than spiritual uplift:
to maverick economist John Kenneth Galbraith, who detests
the Bush regime, to hardy folk singer Pete Seeger and dozens
more, known and unknown, who have strived to improve the
human lot in a rapacious world.
There has always
been a moral, political or even religious leaning in social
comment. John Ball preached in the Peasant’s Revolt in the
14th century: “When Adam delved and Eve sported,
Who was then the gentleman?” His thanks was a cruel death at
the hands of treacherous English lords. More reflectively,
in 1751, poet Thomas Gray wrote of
Some village
Hampden that with dauntless breast
The little tyrant
of his fields withstood
Some mute
inglorious Milton here may rest
Some Cromwell
guiltless of his country’s blood
(“Elegy in a
Country Churchyard”)
Gray did the
grand tour of Classical Europe with the imperious and
supercilious figure of Sir Robert Walpole as his companion,
so he may be forgiven for a somewhat patronizing and
elevated perspective, but like many other intelligent people
throughout the long ages, he knew the score. Studs Terkel’s
methods in his classic radio interviews was to ask
questions, and to expand the answers into material for
further questionings. In each unique case, out of this
patient method emerges, without pressure and with whatever
tact is needed, a capsulated autobiography of protest and of
opposition to iniquity. I was aware of this beguiling
technique when he interviewed me in 1986, and in his hands
it worked excellently.
When I first
encountered Terkel I was very fresh to North America, from
largely 18th century Dublin, via commercial
London, a limitless Victorian sprawl of connected villages.
Studs’ WFMT radio studio was located on the top of a high
steel and concrete building serviced by a lengthy lift
ascent to a reception desk where Studs shortly appeared,
sprightly, elderly, and agreeably. Seated with my wife and
a Chicago friend Studs, knowing less of me than I of him,
started to probe into the cavity of my being. Knowing, at
least my Irish and somewhat radical origins in the theater
and art, he startled me by introducing, by a signal to a
recording engineer, the loud melodious bawlings of my old
and very dead friend Brendan Behan, the writer and
playwright. Up in the cloudless August sky above Lake
Michigan, that vast sea where the water is astonishingly
saltless, I suddenly got the feeling that the Americans had
discovered reincarnation. This eerily apt surprise was
followed by a tape of the Wildean utterances of Michael
MacLiammor, actor and impresario of Dublin’s Gate Theater
where I had toiled in younger days. MacLiammor commented
sonorously and appositely on the essence of Irish art. Out
of this and similar devices Studs was able to taste my
personality and draw out a few signal experiences – and we
went on from there. Afterwards, as he presented me with a
couple of volumes of his earlier works, he looked at me
wryly and said, “I know what you are. You are a survivor”
Indeed. And so inscribed the books.
In his pellucid
preface to this collection Terkel quotes Thomas Paine as an
apostle of democratic truth. Paine was a fearless and
perceptive man whether alighting in England, France or
America. In 1791 he wrote: “Freedom has been hunted around
the globe. Reason was considered as a rebellion: and the
slavery of fear had made men afraid to think. But such is
the irresistible nature of truth, that it asks and all it
wants is the liberty of appearing.” More than any man in
word or print Terkel has coaxed riveting truths out of many
otherwise neglected witnesses to the dark side of the human
condition, witnesses who also achieved varying degrees of
victory in their endeavors.
The people
interviewed in these autobiographical expositions are drawn
mostly from the more critical and combative ranks of
contemporary society. Galbraith, the nonagenarian
ex-ambassador and economist, harks his memories from the
sinking of the Titanic. The Ship of state still ignores
warning signals; “Private affluence and public squalor” is
making a dismal comeback (if it ever went away). “But today
it’s not so easy as with the Herculean task of the New Deal.
Today capitalism has passed out of the hands of the
capitalists and is the plaything of managers and
self-appointed boards. Enron is only one such example,” he
laments. With the pessimism of old age and hard experience,
he can think of no quick or painless cure.
Admiral Gene
Laroque was born in 1918 in a small town, worked his way
through university in the depression years and, rather to
his surprise, soon enough found himself in command of seven
fighting ships in the second world war. He critically muses
about many past wars: Europe, the Pacific, Korea, Vietnam:
and smaller conflicts like Grenada, Panama and Iraq, Being a
military man he argues – sincerely but not entirely
convincingly - that Army or Naval people are less
belligerent than civilians like John F. Kennedy, or for that
matter, Bush junior. Eisenhower, who knew something about
them, avoided wars.
Other contributors to Terkel’s social history are a bit more
earthbound. A philosophical and canny Mel Leventhal
describes some petty squabbles between blacks and whites
during the civil rights struggle. Tim Black, aged 86,
describes his tribulations in the classroom as a black
teacher in underprivileged areas in Chicago. Some of the
more striking Village hampdens are women. Deborah Bayley
provides a fascinating account of her dauntless dedication
to education and of her protests when the neighborhood in
which she ran her school were “developed. That is to say,
the Latinos, blacks and poor whites that originally filled
the neighborhood were squeezed out and condominiums built
for wealthier people. She insolently hung a card on her home
with deliberately crude lettering saying, “Beware. Noisy
white trash.” It became quite famous and its temporary
replacement with a Christmas holly wreath caused a local
outcry and even an anxious inquiry from the local police.
Writer Clancy
Sigal, an acquaintance, born in Chicago to a radical
socialist single mother very early became deeply involved in
left wing politics. In the despicable McCarthy era the FBI
even compiled a big file portraying him as the
single-handed ‘center of a Marxist conspiracy to destroy
the government.” A most impressive credential, is it not? He
spent the next 30 years in Paris and then London before
returning to a much changed USA. He is still involved in
anti-war work and gets excited by the opportunity for
dissent. Terkel also draws out several trade union
organizers of powerless exploited workers, and speaks to
victims of slum landlords who tell of their strife and their
resilient hopes. Fragments of Terkeldom - of gripping and
revealing oral histories - turn up everywhere these days but
not so systematically or persuasively as in Studs’ volumes.
He is the Gibbon of discontent and righteous anger, and
Chicago is fortunate indeed to claim this necessary and
agreeable Recording Angel. “Hope Springs Eternal” is a
common belief but as Studs points out, ‘Poor people never
lose hope, they can’t afford to.”
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